It is Henna Day, on a summer afternoon in Los Angeles. I'm not thrilled with the hot weather, but oh well.
Readercon is less than two weeks away, and here is my schedule!
Friday July 11
The Works of Joanna Russ.
Gwynne Garfinkle, David G. Hartwell, Barbara Krasnoff (moderator), Scott Lynch.
Joanna Russ (1937–2011) was, arguably, the most influential writer of feminist science fiction the field has ever seen. In addition to her classic The Female Man (1975), her novels include Picnic on Paradise (1968), We Who are About to… (1977), and The Two Of Them (1978). Her short fiction is collected in The Adventures of Alyx (1976), The Zanzibar Cat (1983), (Extra)Ordinary People (1984), and The Hidden Side of the Moon (1987). She was also a distinguished critic of science fiction; her books include The Country You Have Never Seen: Essays and Reviews (2007). Of her works outside the SF field, she is perhaps best known for How to Suppress Women’s Writing (1983). Join us to discuss her works.
Joanna Russ: Critical Importance Then and Now.
Gwynne Garfinkle, Lila Garrott (leader), David G. Hartwell, Barbara Krasnoff.
How has the importance of Joanna Russ's critical work changed over time, and in what ways? Younger writers and readers are still discovering How to Supress Women's Writing and finding that it resonates, but what of her other work? We'll discuss the writers she's influenced, the availability of her nonfiction, and the resonance of her work today.
7:00 PM Reading: Gwynne Garfinkle. Gwynne Garfinkle reads from an ongoing series of poems inspired by classic films, TV, and pop culture.
Sunday July 13
A Visit from the Context Fairy.
Kythryne Aisling, Stacey Friedberg, Gwynne Garfinkle, Kate Nepveu, Sonya Taaffe.
In a blog post at Book View Café, Sherwood Smith writes about the opposite of visits from the "Suck Fairy": going back to a book you disliked and finding that the "Win Fairy" (to coin a term) improved it when you weren't looking. Are the Suck Fairy and the Win Fairy really two faces of a unified Context Fairy? If context is so crucial to loving or hating a work, how does acknowledging that affect the way a reader approaches reading, or a writer approaches writing? How does one's hope for or dread of the Context Fairy influence decisions to reread, rewrite, revise or otherwise revisit a written work?